Exhibition „Wir legten Hände in das Wasser“, Altes Kurhaus Bad Kösen, Naumburg, 2024. 1-Ulla von Brandenburg, Zelt, 2024. Fabrics, rope, wooden benches, variable dimensions; Un bal sous l’eau, 2023. Super-16 mm film transferred to HD video, 26’25”.
Vue d’exposition / Installation view La main (et) le gant, 2024, Musée Jenisch Vevey, Vevey/CH. Courtesy Musée Jenisch Vevey. Photo Julien Gremaud.
Vue d’exposition / Installation view, Ulla von Brandenburg, Sweet Feast, Le Parvis – Scène Nationale Tarbes Pyrénées – Centre d’art contemporain, 2024. Scénographie : Julia Mossé. Commissariat : Magali Gentet © Ulla von Brandenburg et Art : Concept, Paris. Photos © Valérie Servant
Vue de l’exposition / exhibition view, La Société des spectacles à la Fondation Pernod Ricard, Paris, 2024. Photo Léa Guintrand Courtesy Ulla von Brandenburg
Vue de l’exposition / exhibition view, La Société des spectacles à la Fondation Pernod Ricard, Paris, 2024. Photo Léa Guintrand Courtesy Ulla von Brandenburg et Farah Atassi © ADAGP
Ulla von Brandenburg La fenêtre s’ouvre comme une orange (danse abstraction), 2022 Film super 16 mm transféré en vidéo HD, couleur, muet 05’18” Edition of 5 plus II AP
Vue d’exposition / exhibition view, Le parti pris des choses, 2024, CRP/ Centre régional de la photographie Hauts-de-France, Douchy-les-Mines/FR. Courtesy Ulla von Brandenburg
Ulla von Brandenburg, Un bal sous l’eau, 2023 Super-16 mm-film transferred to hd video, color, sound, 26’25”, edition of 5 + 2 AP Commissioned by the National Gallery of Victoria, Melbourne. Additional support by FRAC Picardie, Amiens and VISUAL Centre for Contemporary Art, Carlow.
Vue d’exposition / Installation view Ulla von Brandenburg, National Gallery of Victoria, Triennal Melbourne 2023/2024. Photo LillieThompson
Vue d’exposition / Installation view Ulla von Brandenburg, National Gallery of Victoria, Triennal Melbourne 2023/2024. Photo LillieThompson
Vue d’exposition / Installation view : Ulla von Brandenburg, One-Sequence Spaces, 1 December 2023 – 10 March 2024 / Retiro Park, Palacio de Velázquez. © Ulla von Brandenburg. Photo : Román Lores / Joaquín Cortés. Courtesy Museo Reina Sofía, 2023.
Vue d’exposition / Installation view : Ulla von Brandenburg, One-Sequence Spaces, 1 December 2023 – 10 March 2024 / Retiro Park, Palacio de Velázquez. © Ulla von Brandenburg. Photo : Román Lores / Joaquín Cortés. Courtesy Museo Reina Sofía, 2023.
Vue d’exposition / Installation view : Ulla von Brandenburg, One-Sequence Spaces, 1 December 2023 – 10 March 2024 / Retiro Park, Palacio de Velázquez. © Ulla von Brandenburg. Photo : Román Lores / Joaquín Cortés. Courtesy Museo Reina Sofía, 2023.
Ulla von Brandenburg, Mädchen mit Hund, 2023. Aquarelle sur gesso sur bois / Watercolour on gesso on wood, 140 × 110 cm (55 ⅛ × 43 ¼ inches)Courtesy the Artists and Art : Concept, Paris. Photo Romain Darnaud
Vue d’exposition / Installation views, Sul vestito lei ha un corpo, Meris Angioletti e Ulla von Brandenburg, 2020-2022, Courtesy le artiste e XNL Piacenza.
Installation view Ulla von Brandenburg – Masqué et surtout secret, Le Safran – Scène conventionnée, Amiens, 2022. Photos © Le Safran
Vue d’exposition / Installation view The Taguchi Art Collection at Kadokawa Culture Museum, Saitama, Japan, 2023
regie, set and costumes Ulla von Brandenburg / Benoit Résillot / Julia Mossé in Staatsoper Stuttgart, April-May 2022 Esther Dierkes (Gerhilde); Clare Tunney(Helmwige); Leia Lensing (Waltraute); Stine Marie Fischer (Schwertleite); Catriona Smith (Ortlinde); Linsey Coppens (Siegrune); Anna Werle (Roßweiße); Maria Theresa Ullrich (Grimgerde); Okka von der Damerau (Brünnhilde); Simone Schneider (Sieglinde); Brian Mulligan (Wotan) photo : Martin Sigmund
Regie, set and costumes Ulla von Brandenburg / Benoit Résillot / Julia Mossé in Staatsoper Stuttgart, April-May 2022 Esther Dierkes (Gerhilde); Clare Tunney(Helmwige); Leia Lensing (Waltraute); Stine Marie Fischer (Schwertleite); Catriona Smith (Ortlinde); Linsey Coppens (Siegrune); Anna Werle (Roßweiße); Maria Theresa Ullrich (Grimgerde); Okka von der Damerau (Brünnhilde); Simone Schneider (Sieglinde); Brian Mulligan (Wotan) photo : Martin Sigmund
Ulla von Brandenburg, Masked and above all – discreet, 2022, detail, © Courtesy of the artist and Meyer Riegger, Berlin/Karlsruhe; Produzentengalerie Hamburg, Hamburg; Galerie Art: Concept, Paris; Pilar Corrias, London. Photo: Staatsgalerie Stuttgart, Sander Pitl
Installation view Eine Landschaft ohne Blau, wie ungefähr, Kunstmuseum Weserburg, 2021, Courtesy Ulla von Brandenburg & Weserburg Museum für moderne Kunst, Photo: Tobias Hübel
Installation view Ulla von Brandenburg, MIMESIS, 2021. Photo Nicolas Brasseur
Ulla von Brandenburg, Sweet Feast 2018, Super-16 mm film, colour, sound, 9.18 min & Das ist Was , 2018, Painted fabrics, dimensions variable. Installation view “Diversity United.”, Flughafen Tempelhof Berlin, 2021. Photo: Silke Briel / © Stiftung für Kunst und Kultur, Bonn
Ulla von Brandenburg, Blaue und Gelbe Schatten, Performance at Georg Kolbe Museum, 2021, Photo: Enric Duch © Bildarchiv Georg Kolbe Museum
Installation view, Deux scénarios pour Une collection, FRAC Normandie Rouen, Photo Marc Domage / Frac Normandie Rouen
Installation view, Groups and Spots. Contemporary Art at Baloise, Museum Franz Gertsch, Burgdorf/CH © Bernhard Strahm, Gerlafingen, 2021
Installation view, Le Milieu est bleu, Palais de Tokyo, 2020. Photo: Aurélien Mole
Installation view, Le Milieu est bleu, Palais de Tokyo, 2020. Photo: Aurélien Mole
Installation view, Le Milieu est bleu, Palais de Tokyo, 2020. Photo: Aurélien Mole
Installation view, Le Milieu est bleu, Palais de Tokyo, 2020. Photo: Aurélien Mole
Installation view, Le Milieu est bleu, Palais de Tokyo, 2020. Photo: Aurélien Mole
Le milieu est bleu, 2020, Super 16mm film transferred on HD video (colour, sound), 23’43”
Installation view, Le Colère de Ludd, BPS22, Charleroi, 2020. Photo: Leslie Artamonow
Hedwig Dohm, 2018, watercolour on assembled paper, 39 3/8 x 31 1/2 in.
Margaret Lindsay Huggins, 2018, watercolour on assembled paper, 39 3/8 x 31 1/2 in.
Installation view, Sweet Feast, Whitechapel Gallery, London, 2018. Photo: Stephen White.
Installation view, Sweet Feast, Whitechapel Gallery, London, 2018. Photo: Stephen White.
Installation view, The Flying Land, Jut Art Museum, Taipei, 2018. Photo: Lu Guo Way.
Installation, Le soleil te regarde, Experience Traps, Middelheim, 2018. Photo: Sigrid Spinnox
Installation view, The Flying Land, Jut Art Museum, Taipei, 2018. Photo: Lu Guo Way.
Installation view, Une Notation de Couleur, Musée Jenisch, Vevey, 2018. Photo: Julien Gremaud.
Installation view, Une Notation de Couleur, Musée Jenisch, Vevey, 2018. Photo: Julien Gremaud.
Installation view, Une Notation de Couleur, Musée Jenisch, Vevey, 2018. Photo: Julien Gremaud.
Elisabeth Dmitrieff, 2018. Watercolour on assembled paper, 39 3/8 x 31 1/2 in.
Zwei Frauen, 2017. Watercolor on gesso and wood, 33 1/2 x 26 3/8 in.
Installation view, K21 Ständehaus Kunstsammlung, Düsseldorf, 2017. Photo: Achim Kukulies
Installation view, It Has A Golden Sun and An Elderly Grey Moon, Part I & II, Kunsthal Aarhus, 2017
Installation view, Prix Michel Duchamp, Centre Pompidou, Paris, 2016. Photo: Georges Meguerditchian
It Has a Golden Sun and an Elderly Grey Moon. Super 16 mm film, colour, sound, 22’25”.
Installation view, Drinnen ist nicht Draussen, Kunstverein Hannover, 2014. Photo: Raimund Zakowski
Installation view, 2014, Institut d’art contemporain, Villeurbanne
Installation view, Innen ist Nicht Aussen, Succession, Vienne, 2013. Photo: Wolfgang Thaler
Installation view, Innen ist Nicht Aussen, Succession, Vienne, 2013. Photo: Wolfgang Thaler
Installation view, Interventions sur le bâtiment, Mort d’un Roi, Palais de Tokyo, Paris, 2012-2013. Photo: André Morin
Installation view, Kunstpreis Finkenwerder, Shadowplay, Kunsthaus, Hambourg, 2012. Photo: Hayo Heye
Biography
Ulla Von Brandenburg is a German artist born in 1974 in Karlsruhe and based in Paris since 2005.
After training as a scenographer in Karlsruhe and a brief period spent in the world of theatre, she studied at the Hochschule für Bildende Künste in Hamburg. Her work is characterised by a diversity of means and media (installations, films, watercolours, murals, collages, performances…) that interact with one another and which she stages according to different exhibition spaces. Perfectly mastering the codes of scenography, nourished by literature, the history of the arts and architecture but also psychoanalysis, spiritism and magic, she takes as much from esoteric rituals and popular ceremonies, as from the mechanisms and codes of the theatre, to explore the construction of our social structures. Masks, costumes, sets and props coming from different popular traditions thus allow her to transgress symbolically norms and hierarchies by subtly mingling reality and appearances in theatrical presentations.*
Her work has appeared in numerous solo shows recently for example at Palacio de Velázquez, Madrid (2023/2024), National Gallery of Victoria, Triennal Melbourne (2023/2024), Stuttgartstaats Galerie (2022), Weserburg Museum für moderne Kunst, Bremen (2021), Palais de Tokyo in Paris (2020), MRAC in Sérignan (2019), Whitechapel Gallery in London (2018), Musée Jenisch Vevey in Switzerland (2018), Kunstmuseum in Bonn (2018), Perez Art Museum in Miami (2016) and Contemporary Art Museum of Saint Louis (2016). In 2023, an exhibtion is going to take place at the National gallery of Victoria, Melbourne.
Her works are included in collections such as the Tate Modern in London, the MAMCO in Geneva, the Centre Pompidou in Paris, the GAM in Turin or the Mudam in Luxembourg. Her work is represented by Art : Concept in Paris, Pilar Corrias Gallery in London, Produzentengalerie in Hamburg and the Meyer Riegger gallery in Karlsruhe, Basel and Berlin.
*Text: Palais de Tokyo, Paris, 2020
At the gallery
Videos
Interview Ulla Von Brandenburg – exhibition “Le milieu est bleu”, Palais de Tokyo, 2020
Die Strasse, 2013
Shadowplay, 2012
Singspiel (Songplay), 2009
A Living Picture, TateShots, 2007 / Interview
Tanz, makaber (Danse macabre), 2006
The Record, 2005-2014
Downloads
Catalogues
Ulla von Brandenburg, Editions Palais de Tokyo/Les presses du réel, Paris, 2020, 112 pages
SWEETS, QUILTS, SUN, WORKS, Editions Julia Mossé, Whitechapel Gallery, London/ Kunstmuseum Bonn, 2019, 208 pages
It Has a Golden Sun and an Elderly Grey Moon, Ed. Alexandra Baudelot, Mousse Publishing, 2016, 210 pages