3700 éléments formant un tapis organique au sol. Terre cuite, bris de verre fondu, crayon dermographique / 3700 elements form an organic carpet on the floor. Terracotta, melted glass, dermographic pencil. Visuels: courtesy Musée d’art contemporain de la Haute Vienne. Photographe: Aurélien Mole
3700 éléments formant un tapis organique au sol. Terre cuite, bris de verre fondu, crayon dermographique / 3700 elements form an organic carpet on the floor. Terracotta, melted glass, dermographic pencil. Visuels: courtesy Musée d’art contemporain de la Haute Vienne. Photographe: Aurélien Mole
3700 éléments formant un tapis organique au sol. Terre cuite, bris de verre fondu, crayon dermographique / 3700 elements form an organic carpet on the floor. Terracotta, melted glass, dermographic pencil. Visuels: courtesy Musée d’art contemporain de la Haute Vienne. Photographe: Aurélien Mole
3700 éléments formant un tapis organique au sol. Terre cuite, bris de verre fondu, crayon dermographique / 3700 elements form an organic carpet on the floor. Terracotta, melted glass, dermographic pencil. Visuels: courtesy Musée d’art contemporain de la Haute Vienne. Photographe: Aurélien Mole
To mark the 40th anniversary of its creation, the Museum is celebrating this milestone throughout the year by presenting emblematic works from its collection and recent acquisitions. This first exhibition focuses on works that place materials in the foreground. As the exhibition progresses, we see the development of moving, organic works, sometimes sublime, sometimes toxic. They play with the living and its metamorphoses. Here, the artist becomes an alchemist, at the service of experimentation, producing a landscape in constant mutation.