Untitled, 2020. Acrylic on Aluminum, 30 7/8 x 25 3/8 in. 
Untitled, 2020. Acrylic on Aluminum, 61 3/4 x 50 3/4 in. 
Untitled, 2020. Collage on paper, 11 x 8 1/2 in. 
Untitled, 2020. Collage on paper, 11 x 8 1/2 in. 
Untitled, 2020. Collage on paper, 11 x 8 1/2 in. 
Untitled, 2018. Acrylic and silkscreen on aluminum, 82 x 67,5 in. 
Untitled, 2018. Acrylic and silkscreen on aluminum, 82 x 67,5 in. 
Untitled, 2018. Acrylic and silkscreen on aluminum, 82 x 67,5 in. 
Untitled, 2018. Acrylic and silkscreen on aluminum, 82 x 67,5 in. Private collection 
Untitled, 2018. Acrylic on aluminum, 30,875 x 25,375 in. Private collection FR 
Untitled, 2018. Acrylic on aluminum, 30,875 x 25,375 in. Private collection FR 
Untitled, 2018. Acrylic on aluminum, 30,875 x 25,375 in. Private collection CH 
Untitled, 2018. Acrylic on aluminum, 30,875 x 25,375 in. 
Untitled, 2018. Acrylic on aluminum, 30,875 x 25,375 in. 
Untitled, 2018. Acrylic on aluminum, 30 3/4 x 20 1/2 in. 
Installation view, Nathan Hylden, Nearing On To Do, solo show, Midway Contemporary Art, Minneapolis, 2017 
Installation view, Nathan Hylden, Nearing On To Do, solo show, Midway Contemporary Art, Minneapolis, 2017 
Installation view, Nathan Hylden, Nearing On To Do, solo show, Midway Contemporary Art, Minneapolis, 2017 
Installation view, Nathan Hylden, Nearing On To Do, solo show, Midway Contemporary Art, Minneapolis, 2017 
Installation view, Nathan Hylden, Nearing On To Do, solo show, Midway Contemporary Art, Minneapolis, 2017 
Untitled, 2016. Acrylic and UV print on aluminium, 61 1/2 x 50 5/8 in. 
Untitled, 2016. Acrylic and UV print on aluminium, 61 1/2 x 50 2/3 in. 
Installation view, Nathan Hylden, König galerie, Berlin, 2015-16 
Installation view, Nathan Hylden, König galerie, Berlin, 2015-16 
Installation view, Nathan Hylden, König galerie, Berlin, 2015-16 
Untitled, 2015. Acrylic and UV Print on aluminum, 45 1/2 x 92 in. Private collection CH 
Installation view, Beware Wet Paint, Fondazione Sandretto Re Rebaudengo, Turin/IT, 2014 (curator Gregor Muir) 
Untitled, 2018. Acrylic and silkscreen on aluminum, 82 x 67,5 in. 
Installation view, Beware Wet Paint, Fondazione Sandretto Re Rebaudengo, Turin/IT, 2014 (curator Gregor Muir) 
Installation view, Beware Wet Paint, Fondazione Sandretto Re Rebaudengo, Turin/IT, 2014 (curator Gregor Muir) 
Untitled, 2014. Acrylic on aluminum, 77 1/2 x 57 1/2 in. 
Untitled, 2014. Acrylic on aluminum, 77 1/2 x 57 1/2 in. 
Installation view, Meanwhile, solo show, Kunstverein, Hamburg, 2013 
Installation view, Meanwhile, solo show, Kunstverein, Hamburg, 2013 
Untitled, 2012. Acrylic and polyurethane on canvas, 94 1/2 x 133 7/8 in. 
Installation view, “Minimal Myth”, group show, Museum Boijmans, Rotterdam/NL, 2012 
Installation view, “Minimal Myth”, group show, Museum Boijmans, Rotterdam/NL, 2012 
Installation view, “Minimal Myth”, group show, Museum Boijmans, Rotterdam/NL, 2012 
Untitled, 2011, acrylic and polyurethane on canvas, 67 3/8 x 47 in. Private collection BE 
Untitled, 2010, acrylic on aluminum, 77 1/2 x 57 1/8 in. Private collection CN 
Untitled, 2010, acrylic on linen. 29 1/8 x 23 in. Private collection BE 
Untitled, 2010, acrylic on linen. 29 1/8 x 23 in. Private collection CH 
Untitled, 2010, acrylic on aluminum, 77 1/2 x 57 1/8 in. Public collection: CNAP FR 
Untitled, 2009, acrylic silkscreen on aluminum, sprayed plaster and silver painting, 36 x 29 1/8 in. 
Untitled, 2008, acrylic on linen. Private collection BE 
Some Other Way of Counting I, 2007, acrylic on linen, 93 3/4 x 67 3/8 in. Private collection FR 
Untitled, 2006, series of 4 paintings, acrylic on canvas, variable dimensions. Installation view, Armory Show, New York, Febraury 2007. Private collection US 
Untitled, 2006, acrylic on linen, 66 7/8 x 47 1/4 in. 
Untitled, 2006 (detail). Acrylic on linen, 66 7/8 x 47 1/4 in. Private collection FR 
Untitled, 2006. Acrylic on linen, 66 7/8 x 47 1/4 in. Private collection FR
Biography
Born in 1978 in Fergus Falls (Minnesota), Nathan Hylden lives and works in Los Angeles. His work deals with issues of temporality and the idea of rationality related to the creative act in itself. Playing with codes similar to those that can be met in the cinematographic industry, his pieces are produced as series and follow a very strict creative process. Starting with images of his studio silkscreened on large aluminum plaques, the pieces are then piled up to receive an allotted quantity of paint, applied by spray or brush. Even though they are linked to each other, each tells a particular story and brandishes its own particular density. Each painting thus becomes the symbolic resumé of a particular point in time during an evolution dictated only by sequence.
His work is part of the following collections, among others: Fonds National d’Art Contemporain, Paris; Whitney Museum of American Art, New York; Stedelijk Museum, Amsterdam; MOCA, Museum of Contemporary Art, Los Angeles; Dallas Museum of Art, Dallas.
Solo exhibitions include: As It Is, Feuilleton, Los Angeles/US (2020); Hakgojae Gallery, Seoul (2019); For Now And So, Misako & Rosen, Tokyo (2018); So Doing, Galerie Art Concept, Paris (2018). Group exhibitions: Did you close your eyes to make this painting?, BWSMX, Mexico City (2018); Unpacking: The Marciano Collection, Marciano Art Foundation, Los Angeles (2017); CHOICES, Palais des Beaux-Arts de Paris, Paris (curator: Alfred Pacquement, 2015); Beware Wet Paint, Fondazione Sandretto Re Rebaudengo, Turin (curator: Gregor Muir, 2014).
At the gallery
Downloads
Catalogues
Nathan Hylden, Meanwhile, Kunstverein Hamburg, Koenig Books, London, 2013, 111 pages 
Nathan Hylden, Nearing On To Do, Midway Contemporary, Minneapolis, 2019, 455 pages